
Perry examined the clothing laid out on the chair in the corner of the bathing room. The trousers and boots were a deep shade of black, while the tunic gleamed in contrast—luminous white, embroidered in golden thread.
The serving man, Great-Heart, had shown him to a small room with a bed and a writing table—not much different from the room Perry had occupied in the City of Destruction. After leaving his satchel, Eva’s pouch, and his cloak and staff there, Perry followed Great-Heart to the bathing room, where steam rose from a wooden tub already filled with hot water. Great-Heart had promised to return later to show him a few moves with the staff—and perhaps share a spar or two.
The hot water eased the chill that had settled deep in his bones after the Slough, and he felt fresh again—invigorated. The clothing was comfortable, though he couldn’t help wondering how his gray cloak would look over it. He shrugged.
He stepped out and closed the door behind him—then caught sight of Eva at the far end of the hallway. He stared in wonder. For a moment he forgot how to breathe. She was dressed in white and silver, her face radiant, with a seal set between her eyes. When she saw him, she ran toward him, threw her arms around his neck, and kissed his cheek.
She stepped back and giggled, her face coloring slightly. “You clean up nicely, Peregrine!”
Perry bowed to her in imitation of Prince Vasily. “I am your faithful slave.”
Eva laughed. “You almost had me convinced this time.”
Innocent appeared in the doorway. “Dinner is ready,” she said.
Perry held out his arm. Eva slipped her hand around it, and he led her to the dining room.
The dining room was spectacular. Light streamed through tall windows, illuminating a long table laid with a feast. The savory aroma of roasted lamb greeted them, mingling with the scent of freshly baked bread. A bowl of fruit sat nearby—shapes and colors Perry had never seen.
Soft music drifted across the room from a group of musicians. One drew his bow across a violin, setting the melody, while the other joined in harmony on a lute, a viola, and a recorder.
The Interpreter took his seat at the head of the table. Perry sat at the Interpreter’s right, while Eva took the seat across from him at the Interpreter’s left.
Innocent curtsied and began to withdraw.
“Stay,” Eva said. “Eat with us.”
Innocent turned and glanced at the Interpreter.
“Yes,” the Interpreter said with a smile. “Eat with us.”
She smiled shyly, then took the seat beside Eva.
Perry had expected serious talk—about things like grace and predestination—but instead the meal passed pleasantly, filled with light conversation. The Author might find that interesting.
After they finished eating, the music picked up its tempo. Innocent leaned across the table.
“Will you teach me to dance?” she asked Perry.
He nodded and held out his hand. Together they stepped onto the open floor. Perry waited—but she didn’t move. She simply watched him with those piercing blue eyes.
“Lead,” she said flatly.
Perry began to lead, and she followed—but slightly out of rhythm with him. He stopped.
She laughed softly. “That’s not how I dance,” she said. Then she laid her hand against his heart. “You have to feel my heart. Then you can lead me.”
Perry felt her heartbeat through her fingertips. It matched his own. For a moment he thought he could feel her—truly feel her. A deep, terrible ache.
“Good,” she whispered.
He took a step, and she followed. Then another. He began to see things—things he should not know. Things that frightened him.
But he kept dancing. Warm light enveloped him. Out of the corner of his eye, he saw Eva dancing with the Interpreter.
“This,” Innocent said, “is how you lead Eva.” With practiced ease she spun him around and placed his hand in Eva’s.
He could feel Eva’s pulse in his hand. He closed his eyes and simply felt. She was… afraid?
“Just dance, dearest,” he said, meeting her gray eyes. This is how I lead Eva. In the way she already knows to go. That same warm light surrounded him. Together they spun effortlessly—no push, no pull. Perry leading Eva in the way she wanted to go.
The music ended. They stepped apart. The Interpreter and Innocent stood off to the side. She leaned close and whispered something in the Interpreter’s ear. He nodded gravely.
***
Eva gazed up at the Hunter from the parapet, tracing his belt and bow with a finger. Then she stepped inside and closed the door gently. Earlier she had watched Perry and Great-Heart practicing together, though she had kept her daggers hidden.
She hung her dress on a peg along the wall and slipped into the night rail Innocent had left for her. After blowing out the candle, she slid beneath the blanket and was soon fast asleep.
***
The next morning, freshly baked bread and a crock of butter awaited them. Perry ate together with Eva, and afterward they resolved to continue their journey.
“Stay a few moments,” said the Interpreter. “There is one more thing I would show you, and then you may be on your way.”
He led them into a room where paintings hung along the wall.
The first painting showed workers in a wheat field, half harvested, the grain already bound in sheaves. Some rested in the shade of a tree; another carried a jug of water. Among them stood a distinguished man, his face glistening with sweat. At his feet, a young woman with a flowing scarf knelt to gather the grain the others had left behind. Beneath it was written: The Kinsman Redeemer.
The next bore the inscription: Jonathan and David. It showed a striking young shepherd with blond curls and blue eyes—so much like the woman in the previous painting. Before him stood a prince in royal robes, his eyes full of devotion, both hands extended as he offered a crown.
At last they came to a painting of a young woman, heavy with child, riding a donkey through the night. Her husband walked beside her, leading the animal by the reins. Overhead a brilliant star blazed in the dark sky. Her eyes were the same piercing blue as the others.
“Many pilgrims arrive at my house alone,” said the Interpreter. “But in the end, they always walk with someone else. The very essence of God is found in the words: I and You.”
“But isn’t this the very way of the world?” Eva asked.
“No.” The Interpreter shook his head slowly. “The way of the world is to turn the You into an it—and when that happens, the divine is lost. Such is the way of Mammon. Everything can be bought and sold. But in true love, the You is an end in itself.” He gestured toward the paintings. “In loving another, we encounter the very love of God.”
Perry frowned, studying the painting of Jonathan and David. The look between them seemed deeper than simple friendship. “But didn’t Moses command…”
“Yes,” said the Interpreter. “Because of the hardness of men’s hearts. But know this—between I and You, there is no sin.”
“These paintings are meant to guide you. If you have eyes to see, there is an apparent transgression in each one—and each carries a cost. For Jonathan, it was the throne. Yet he counted it nothing beside the great love he bore for David.”
–
With that, the Interpreter blessed them, and Perry and Eva set out once more on their journey.











